Page 36 - Demo

34Fakat gel zaman git zaman, modellerin numaralar%u0131 bittik%u00e7e modeli be%u011fenip kendi ayak numaras%u0131n%u0131 isteyen insanlar i%u00e7in bir yandan da yemeni yapmak mecburiyeti do%u011fuyor. Orhan %u00c7ak%u0131ro%u011flu tam 32 ya%u015f%u0131nda babas%u0131n%u0131 zar zor ikna ederek bu mesle%u011fi %u00f6%u011frenmeye ba%u015fl%u0131yor. Sonras%u0131nda bu i%u015fi nas%u0131l geli%u015ftirebilirim diye kafa yorup, %u00fcretim sistemlerini de%u011fi%u015ftiriyor, derilerde daha yumu%u015fak ve modern deriler kullanmaya ba%u015fl%u0131yor. Yemeni Gaziantep%u2019te ya%u015fl%u0131lar%u0131n ve k%u00f6yl%u00fclerin giydi%u011fi bir ayakkab%u0131yken, renkli yemeniler ve farkl%u0131 modeller insanlar%u0131n dikkatini %u00e7ekiyor, Gaziantep s%u0131n%u0131rlar%u0131n%u0131 a%u015f%u0131yor ve d%u00fcnyaya a%u00e7%u0131l%u0131yor. the shop and the yemenis on the other. As certain models sold out, customers began requesting new pairs in their own sizes, making it necessary to produce more yemenis. This demand prompted Orhan %u00c7ak%u0131ro%u011flu, at the age of 32, to finally convince his father to teach him the craft he had long avoided. Once he began learning, %u00c7ak%u0131ro%u011flu became determined to modernize the trade. He experimented with new production techniques, introduced softer and more modern leathers, and diversified the designs. What had once been seen as traditional footwear for the elderly and villagers in Gaziantep transformed into a vibrant, colorful product that caught people%u2019s attention. His innoUstalara Sayg%u0131 / Respect for Masters